<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>ARTERYNYC.com &#124; The Heartbeat of Contemporary Art &#38; Culture</title>
	<atom:link href="http://www.arterynyc.com/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.arterynyc.com</link>
	<description>The Heartbeat of Contemporary Art &#38; Culture</description>
	<lastBuildDate>Fri, 18 May 2012 23:02:29 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
<meta xmlns="http://www.w3.org/1999/xhtml" name="robots" content="noindex,follow" />
		<item>
		<title>Title and Deed at Signature Theatre Review</title>
		<link>http://www.arterynyc.com/2012/05/title-and-deed-at-signature-theatre-review/</link>
		<comments>http://www.arterynyc.com/2012/05/title-and-deed-at-signature-theatre-review/#comments</comments>
		<pubDate>Fri, 18 May 2012 20:11:30 +0000</pubDate>
		<dc:creator>Tom Vigo</dc:creator>
				<category><![CDATA[Theatre]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=5530</guid>
		<description><![CDATA[As I was exiting the theatre after an evening performance of Will Eno’s new play Title and Deed, a woman turned to her companion and said, somewhat wearily, "well, it’s about words." While I generally find it dangerous to reduce a play to a single and somewhat vague idea, this play is so self-consciously about "words" and their contexts that the comment seemed almost excusable.
 <a href="http://www.arterynyc.com/2012/05/title-and-deed-at-signature-theatre-review/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/05/title-and-deed-at-signature-theatre-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Charta Books Turns 20</title>
		<link>http://www.arterynyc.com/2012/05/charta-books-turns-20-2/</link>
		<comments>http://www.arterynyc.com/2012/05/charta-books-turns-20-2/#comments</comments>
		<pubDate>Wed, 16 May 2012 15:55:59 +0000</pubDate>
		<dc:creator>Daniel Rothbart</dc:creator>
				<category><![CDATA[Literary Arts]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=5505</guid>
		<description><![CDATA[Giuseppe Liverani is a charming and spirited entrepreneur who reinvented art books through his distinguished editorial project called Charta.  When exploring possible names for their enterprise, Liverani’s partner and co-founder Silvia Palombi suggested “Carta,” the Italian word for paper.  Giuseppe, in turn, added an “h,” Latinizing it to Charta and calling to mind the great Magna Charta that assured greater freedoms for the English people.  <a href="http://www.arterynyc.com/2012/05/charta-books-turns-20-2/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/05/charta-books-turns-20-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Compulsion: Alex Prager at Yancey Richardson</title>
		<link>http://www.arterynyc.com/2012/05/compulsion-alex-prager-at-yancey-richardson/</link>
		<comments>http://www.arterynyc.com/2012/05/compulsion-alex-prager-at-yancey-richardson/#comments</comments>
		<pubDate>Tue, 15 May 2012 19:27:04 +0000</pubDate>
		<dc:creator>Daniel Rothbart</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=5445</guid>
		<description><![CDATA[Photographer Alex Prager has both a passion for cinema and a fascination with crime.  Compulsion, the title of Prager’s new body of work on view at Yancey Richardson Gallery, seemingly alludes to Meyer Levin’s 1956 novel and Richard Fleischers 1959 film of the same title.  Their Compulsion regards the Leopold and Loeb affair.  Two affluent young graduate students, Leopold and Loeb, who fancied themselves Nietzschean overmen, decided to commit the perfect crime in 1924 Chicago. <a href="http://www.arterynyc.com/2012/05/compulsion-alex-prager-at-yancey-richardson/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/05/compulsion-alex-prager-at-yancey-richardson/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Enrico Pedrini:  The Caffeine of Europe</title>
		<link>http://www.arterynyc.com/2012/05/enrico-pedrini-the-caffeine-of-europe/</link>
		<comments>http://www.arterynyc.com/2012/05/enrico-pedrini-the-caffeine-of-europe/#comments</comments>
		<pubDate>Wed, 09 May 2012 16:28:30 +0000</pubDate>
		<dc:creator>Daniel Rothbart</dc:creator>
				<category><![CDATA[Tribute]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4857</guid>
		<description><![CDATA[We were driving in Enrico's car through the Lombard countryside past Arborio rice fields.  After a day in Milan visiting assorted venues of contemporary art, we were making our way back to Pavia, near Montesano di Filighera, the city where Enrico Pedrini was born, January 15, 1940. <a href="http://www.arterynyc.com/2012/05/enrico-pedrini-the-caffeine-of-europe/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/05/enrico-pedrini-the-caffeine-of-europe/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Enrico Pedrini: The Pharmacist from Genoa (A Letter)</title>
		<link>http://www.arterynyc.com/2012/05/enrico-pedrini-the-pharmacist-from-genoa-a-letter/</link>
		<comments>http://www.arterynyc.com/2012/05/enrico-pedrini-the-pharmacist-from-genoa-a-letter/#comments</comments>
		<pubDate>Wed, 02 May 2012 22:56:15 +0000</pubDate>
		<dc:creator>Richard Milazzo</dc:creator>
				<category><![CDATA[Tribute]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4748</guid>
		<description><![CDATA[Dear Gianmaria,

This morning I received from Daniel Rothbart, a mutual friend of mine and your father’s, a very moving email informing me of his passing. I was devastated and profoundly saddened by the news. And I am sorry for your loss. As I told Daniel in my email back to him, I was utterly heartbroken. I always felt affection for Enrico, and was filled with admiration for what he had accomplished in his life. He was a very special, a very unique person – the pharmacist / philosopher / art critic / curator / collector from Genoa. <a href="http://www.arterynyc.com/2012/05/enrico-pedrini-the-pharmacist-from-genoa-a-letter/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/05/enrico-pedrini-the-pharmacist-from-genoa-a-letter/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>2012 Edition of Red Dot New York Cancelled &#8211; Updated</title>
		<link>http://www.arterynyc.com/2012/04/2012-edition-of-red-dot-new-york-cancelled/</link>
		<comments>http://www.arterynyc.com/2012/04/2012-edition-of-red-dot-new-york-cancelled/#comments</comments>
		<pubDate>Tue, 01 May 2012 00:38:28 +0000</pubDate>
		<dc:creator>musecnnpress</dc:creator>
				<category><![CDATA[Art Market]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4623</guid>
		<description><![CDATA[The 2012 Edition of the Red Dot, New York art fair which was to held from May 3 through May 6 at 82 Mercer Street in Soho, has been cancelled. In a recent email sent to fair participants, Red Dot organizer, Chelsea art dealer George Billis states, "Due to Union issues with our event venue beyond our control, we regrettably have been forced to cancel the 2012 edition of Red Dot New York." At this point ARTERY is investigating, and will keep you posted as soon as we become aware of new developments. <a href="http://www.arterynyc.com/2012/04/2012-edition-of-red-dot-new-york-cancelled/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/04/2012-edition-of-red-dot-new-york-cancelled/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Excerpts from Roman Polanski: A Life in Exile</title>
		<link>http://www.arterynyc.com/2012/04/excerpts-from-roman-polanski-a-life-in-exile/</link>
		<comments>http://www.arterynyc.com/2012/04/excerpts-from-roman-polanski-a-life-in-exile/#comments</comments>
		<pubDate>Mon, 30 Apr 2012 17:26:46 +0000</pubDate>
		<dc:creator>Julia Ain-Krupa</dc:creator>
				<category><![CDATA[Film]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4475</guid>
		<description><![CDATA[Excerpted from Julia Ain-Krupa’s Roman Polanski: A Life in Exile, Praeger, 2009, for more information visit, www.abc-clio.com <a href="http://www.arterynyc.com/2012/04/excerpts-from-roman-polanski-a-life-in-exile/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/04/excerpts-from-roman-polanski-a-life-in-exile/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>BERNIE: A Film by Richard Linklater</title>
		<link>http://www.arterynyc.com/2012/04/bernie-a-film-by-richard-linklater/</link>
		<comments>http://www.arterynyc.com/2012/04/bernie-a-film-by-richard-linklater/#comments</comments>
		<pubDate>Thu, 26 Apr 2012 20:55:31 +0000</pubDate>
		<dc:creator>Steven Erickson</dc:creator>
				<category><![CDATA[Film]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4452</guid>
		<description><![CDATA[With his second film, SLACKER, Richard Linklater named - or, inadvertently, stereotyped - the generation that came of age in the early '90s. His film had a cultural impact far beyond the relatively small number of people who saw it. How does one follow that up? Linklater has shown few signs of self-consciousness on that matter. He's made better films - A SCANNER DARKLY, BEFORE SUNSET - and much more popular ones, like the studio-distributed comedy SCHOOL OF ROCK, but he's only repeated himself once, in creating a sequel to his Paris-set BEFORE SUNRISE. <a href="http://www.arterynyc.com/2012/04/bernie-a-film-by-richard-linklater/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/04/bernie-a-film-by-richard-linklater/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Private Museum Buyer Spends Big During Chinese Art Shopping Spree</title>
		<link>http://www.arterynyc.com/2012/04/private-museum-buyer-spends-big-during-chinese-art-shopping-spree/</link>
		<comments>http://www.arterynyc.com/2012/04/private-museum-buyer-spends-big-during-chinese-art-shopping-spree/#comments</comments>
		<pubDate>Thu, 19 Apr 2012 22:01:09 +0000</pubDate>
		<dc:creator>Nicholas Forrest</dc:creator>
				<category><![CDATA[Art Market]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4410</guid>
		<description><![CDATA[If you haven't heard of the Chinese-Indonesian collector Budi Tek then you soon will. Recently identified as the 8th most powerful art world personality by Art+Auction magazine, Mr Tek owns a private museum in Jakarta and is building another one in Shanghai, called De Museum, in which he will display the works he purchased during Sotheby's Contemporary Asian Art sale held in Hong Kong on April 2.  <a href="http://www.arterynyc.com/2012/04/private-museum-buyer-spends-big-during-chinese-art-shopping-spree/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/04/private-museum-buyer-spends-big-during-chinese-art-shopping-spree/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>TAMARA MASEL: APPEARANCE</title>
		<link>http://www.arterynyc.com/2012/04/tamara-masel-a-p-p-e-a-r-a-n-c-e/</link>
		<comments>http://www.arterynyc.com/2012/04/tamara-masel-a-p-p-e-a-r-a-n-c-e/#comments</comments>
		<pubDate>Thu, 19 Apr 2012 20:46:18 +0000</pubDate>
		<dc:creator>Smadar Sheffi</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4382</guid>
		<description><![CDATA[A P P E A R A N C E, Tamara Masel's exhibition of photography, perceives ephemeral events which may never have occurred, but that nonetheless seem to linger. A diptych of lighted candles and empty candlesticks and a ghostly hand on an electric kettle contend what is still considered photography's essential task: to represent reality. <a href="http://www.arterynyc.com/2012/04/tamara-masel-a-p-p-e-a-r-a-n-c-e/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/04/tamara-masel-a-p-p-e-a-r-a-n-c-e/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>‏I Am a Berliner at the Tel Aviv Museum of Art</title>
		<link>http://www.arterynyc.com/2012/04/%e2%80%8fi-am-a-berliner-at-the-tel-aviv-museum-of-art/</link>
		<comments>http://www.arterynyc.com/2012/04/%e2%80%8fi-am-a-berliner-at-the-tel-aviv-museum-of-art/#comments</comments>
		<pubDate>Thu, 19 Apr 2012 19:59:03 +0000</pubDate>
		<dc:creator>Smadar Sheffi</dc:creator>
				<category><![CDATA[Painting]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4369</guid>
		<description><![CDATA[Berlin, like Paris or New York, is a city whose symbolic image is an entity in its own right. Since the dramatic fall of the Berlin Wall, the liberal capital of the short-lived Weimar Republic and loyal stronghold of Hitler is identified with freedom, creativity and tolerance. <a href="http://www.arterynyc.com/2012/04/%e2%80%8fi-am-a-berliner-at-the-tel-aviv-museum-of-art/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/04/%e2%80%8fi-am-a-berliner-at-the-tel-aviv-museum-of-art/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>John Chamberlain Choices at the Guggenheim</title>
		<link>http://www.arterynyc.com/2012/04/john-chamberlain-choices-at-the-guggenheim/</link>
		<comments>http://www.arterynyc.com/2012/04/john-chamberlain-choices-at-the-guggenheim/#comments</comments>
		<pubDate>Thu, 19 Apr 2012 19:57:36 +0000</pubDate>
		<dc:creator>Daniel Rothbart</dc:creator>
				<category><![CDATA[Sculpture]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4355</guid>
		<description><![CDATA[John Chamberlain was a magician of crushed, folded, rolled and scalloped steel. He fashioned forms that could be sharp and cutting while at other times as soft as drapery on a figure or the waves he loved to sail that surrounded his last studio on Shelter Island, New York. He was also a colorist who worked effectively with both the found palette of automotive parts and appliances and his own mixed paints and lacquers. Chamberlain also created intriguing sculptural objects from carved foam and mineral-coated, heat-treated resin. John Chamberlain: Choices at the Guggenheim surveys six decades of the artist's work, from the mid-1950s through his passing in 2011. <a href="http://www.arterynyc.com/2012/04/john-chamberlain-choices-at-the-guggenheim/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/04/john-chamberlain-choices-at-the-guggenheim/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Art of Darkness: Parallels at Danspace</title>
		<link>http://www.arterynyc.com/2012/04/art-of-darkness-parallels-at-danspace/</link>
		<comments>http://www.arterynyc.com/2012/04/art-of-darkness-parallels-at-danspace/#comments</comments>
		<pubDate>Wed, 04 Apr 2012 20:40:10 +0000</pubDate>
		<dc:creator>Elizabeth Zimmer</dc:creator>
				<category><![CDATA[Dance]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4309</guid>
		<description><![CDATA[African cultural expression does not separate the various “disciplines” one from another.  Dance, music, theatrical expression and visual forms are inextricably linked.  Thus the richness and complexity of much traditional African performance, and thus the appeal of much of the work included in Parallels, the recently concluded eight-week festival of “black” performance, held at the Danspace Project at St. Mark’s Church. <a href="http://www.arterynyc.com/2012/04/art-of-darkness-parallels-at-danspace/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/04/art-of-darkness-parallels-at-danspace/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Can Anyone Quench the Thirst for Hirst?</title>
		<link>http://www.arterynyc.com/2012/04/can-anyone-quench-the-thirst-for-hirst/</link>
		<comments>http://www.arterynyc.com/2012/04/can-anyone-quench-the-thirst-for-hirst/#comments</comments>
		<pubDate>Wed, 04 Apr 2012 20:16:47 +0000</pubDate>
		<dc:creator>Ben Austin</dc:creator>
				<category><![CDATA[Sculpture]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4298</guid>
		<description><![CDATA[Stop someone of a certain age in the street and ask him to name one contemporary British artist, the chances are that he will immediately say Damien Hirst. Tracey Emin or perhaps Banksy would be perhaps their next choice. <a href="http://www.arterynyc.com/2012/04/can-anyone-quench-the-thirst-for-hirst/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/04/can-anyone-quench-the-thirst-for-hirst/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Sweet Violence of Sanja Iveković</title>
		<link>http://www.arterynyc.com/2012/04/the-sweet-violence-of-sanja-ivekovic/</link>
		<comments>http://www.arterynyc.com/2012/04/the-sweet-violence-of-sanja-ivekovic/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 22:09:33 +0000</pubDate>
		<dc:creator>Daniel Rothbart</dc:creator>
				<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4227</guid>
		<description><![CDATA[challenging retrospective of works by Croatian artist Sanja Ivekovic, spanning the mid-1970s to last year, was recently on view at The Museum of Modern Art. As a woman artist who came of age in socialist Yugoslavia, Iveković experienced firsthand many of the contradictions and limitations of an autocratic socialist society. <a href="http://www.arterynyc.com/2012/04/the-sweet-violence-of-sanja-ivekovic/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/04/the-sweet-violence-of-sanja-ivekovic/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Documenta 13: A Preview</title>
		<link>http://www.arterynyc.com/2012/03/documenta-13-a-preview/</link>
		<comments>http://www.arterynyc.com/2012/03/documenta-13-a-preview/#comments</comments>
		<pubDate>Wed, 28 Mar 2012 15:33:41 +0000</pubDate>
		<dc:creator>Wolfgang Becker</dc:creator>
				<category><![CDATA[Installation Art]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4197</guid>
		<description><![CDATA[Carolyn Christov-Bakargiev, General Secretary of the 13th Documenta, started traveling to Kassel, Germany, two years ago.  She had been nominated to direct one of the most ambitious exhibitions of contemporary art in Europe; Documenta, which takes place only every five years.  <a href="http://www.arterynyc.com/2012/03/documenta-13-a-preview/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/documenta-13-a-preview/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Andrzej Zulawski at BAM</title>
		<link>http://www.arterynyc.com/2012/03/andrzej-zulawski-at-bam/</link>
		<comments>http://www.arterynyc.com/2012/03/andrzej-zulawski-at-bam/#comments</comments>
		<pubDate>Fri, 23 Mar 2012 22:14:01 +0000</pubDate>
		<dc:creator>Richard Porton</dc:creator>
				<category><![CDATA[Film]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4154</guid>
		<description><![CDATA[Even the most seasoned cinephiles, most of whom can easily discuss the merits of celebrated Polish directors such as Roman Polanski, Andrzej Wajda, and Jerzy Skolimowski, may either draw a blank when confronted with the name of Andrzej Zulawski or merely remember him for his 1981 horror film Possession, which became notorious for Isabelle Adjani’s sex scene with what appeared to be a mutant octopus.  <a href="http://www.arterynyc.com/2012/03/andrzej-zulawski-at-bam/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/andrzej-zulawski-at-bam/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>London Up and Coming</title>
		<link>http://www.arterynyc.com/2012/03/london-up-and-coming/</link>
		<comments>http://www.arterynyc.com/2012/03/london-up-and-coming/#comments</comments>
		<pubDate>Fri, 23 Mar 2012 22:13:01 +0000</pubDate>
		<dc:creator>Ben Austin</dc:creator>
				<category><![CDATA[Art Market]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4166</guid>
		<description><![CDATA[In my last article I covered the big guns, the super galleries, many of which were born out of the YBA movement and the excesses of the 90’s. We are talking White Cubes and Gogo Gagosian. <a href="http://www.arterynyc.com/2012/03/london-up-and-coming/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/london-up-and-coming/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>From Washcloths to Dams – Klaus Dauven’s Light Outlines</title>
		<link>http://www.arterynyc.com/2012/03/from-washcloths-to-dams-klaus-dauvens-light-outlines/</link>
		<comments>http://www.arterynyc.com/2012/03/from-washcloths-to-dams-klaus-dauvens-light-outlines/#comments</comments>
		<pubDate>Fri, 23 Mar 2012 22:12:35 +0000</pubDate>
		<dc:creator>Wolfgang Becker</dc:creator>
				<category><![CDATA[Painting]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4181</guid>
		<description><![CDATA[Painting is about applying coats and covering something with paint. Nowadays, X-rays allow us to see how an artist slowly applied layer after layer of paint to a wooden substrate or canvas and reveals how many pictures the artist may have painted over before producing the finished work of art. <a href="http://www.arterynyc.com/2012/03/from-washcloths-to-dams-klaus-dauvens-light-outlines/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/from-washcloths-to-dams-klaus-dauvens-light-outlines/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Marina Markovic: Pressure Me</title>
		<link>http://www.arterynyc.com/2012/03/marina-markovic-pressure-me/</link>
		<comments>http://www.arterynyc.com/2012/03/marina-markovic-pressure-me/#comments</comments>
		<pubDate>Tue, 20 Mar 2012 22:28:07 +0000</pubDate>
		<dc:creator>Daniel Rothbart</dc:creator>
				<category><![CDATA[Drawing]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=4092</guid>
		<description><![CDATA[Hair, as though braided for some colossal maiden out of a fairy tail, hangs on the gallery wall. Woven from three copious strands, it is tied near eye-level with a pink ribbon. <a href="http://www.arterynyc.com/2012/03/marina-markovic-pressure-me/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/marina-markovic-pressure-me/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dream Screen: Runa Islam at MoMA</title>
		<link>http://www.arterynyc.com/2012/03/dream-screen-runa-islam-at-moma/</link>
		<comments>http://www.arterynyc.com/2012/03/dream-screen-runa-islam-at-moma/#comments</comments>
		<pubDate>Wed, 14 Mar 2012 22:41:34 +0000</pubDate>
		<dc:creator>Gillian Sneed</dc:creator>
				<category><![CDATA[Museums]]></category>
		<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3918</guid>
		<description><![CDATA[As the camera slowly pans to the right, it boldly swings up and loops down, revealing a tightly cropped view of a crumbling, weed infested wall and shattered window. The 16mm film, titled The house belongs to those who inhabit it (2008), by London-based artist Runa Islam depicts the process of "writing" with the camera. <a href="http://www.arterynyc.com/2012/03/dream-screen-runa-islam-at-moma/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/dream-screen-runa-islam-at-moma/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Zimoun: Volume Review</title>
		<link>http://www.arterynyc.com/2012/03/zimoun-volume-review/</link>
		<comments>http://www.arterynyc.com/2012/03/zimoun-volume-review/#comments</comments>
		<pubDate>Wed, 14 Mar 2012 22:39:24 +0000</pubDate>
		<dc:creator>Matthew Shen Goodman</dc:creator>
				<category><![CDATA[Installation Art]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3929</guid>
		<description><![CDATA[If the work is already turned on, one can hear Volume before one sees it. As one approaches a rumbling that clarifies but doesn't quite resolve, a visitor to Zimoun's show at bitforms walks from the elevator to the gallery with a prescient sense of looming thingness of sound. <a href="http://www.arterynyc.com/2012/03/zimoun-volume-review/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/zimoun-volume-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Apache Barnstormers of the Southwest For Shawn Mortensen</title>
		<link>http://www.arterynyc.com/2012/03/apache-barnstormers-of-the-southwest-for-shawn-mortensen/</link>
		<comments>http://www.arterynyc.com/2012/03/apache-barnstormers-of-the-southwest-for-shawn-mortensen/#comments</comments>
		<pubDate>Mon, 12 Mar 2012 22:45:27 +0000</pubDate>
		<dc:creator>Glenn O'Brien</dc:creator>
				<category><![CDATA[Literary Arts]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3715</guid>
		<description><![CDATA[A gray ship falls up and hope
smashes a heathen lead sky.
Looked like the Arizona and
the sun rises twice here where
Duke led the 7th Cav toward Yucca flats. <a href="http://www.arterynyc.com/2012/03/apache-barnstormers-of-the-southwest-for-shawn-mortensen/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/apache-barnstormers-of-the-southwest-for-shawn-mortensen/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Monica Bonvicini: NeedleKnows at Galerie Max Hetzler</title>
		<link>http://www.arterynyc.com/2012/03/monica-bonvicini-needleknows-at-galerie-max-hetzler/</link>
		<comments>http://www.arterynyc.com/2012/03/monica-bonvicini-needleknows-at-galerie-max-hetzler/#comments</comments>
		<pubDate>Fri, 09 Mar 2012 18:48:04 +0000</pubDate>
		<dc:creator>Goran Tomcic</dc:creator>
				<category><![CDATA[Sculpture]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3555</guid>
		<description><![CDATA[Most of Monica Bonvicini's works raise questions about power-related issues, either through her ultra-feminist commentary on the modern, male-dominated heritage of architectural space, or the representation of sadomasochism in sexuality and culture. <a href="http://www.arterynyc.com/2012/03/monica-bonvicini-needleknows-at-galerie-max-hetzler/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/monica-bonvicini-needleknows-at-galerie-max-hetzler/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Seven Things We Learned From Armory Arts Week</title>
		<link>http://www.arterynyc.com/2012/03/seven-things-we-learned-from-armory-arts-week/</link>
		<comments>http://www.arterynyc.com/2012/03/seven-things-we-learned-from-armory-arts-week/#comments</comments>
		<pubDate>Thu, 08 Mar 2012 23:39:22 +0000</pubDate>
		<dc:creator>Alexandra Peers</dc:creator>
				<category><![CDATA[Art Market]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3638</guid>
		<description><![CDATA[In New York, the blockbuster Armory Show opened Wednesday night, the Art Show, an old-money destination for a quarter-century, opened the night before. They were choked with people, packed with art — fine and otherwise — and we were plied with Champagne. <a href="http://www.arterynyc.com/2012/03/seven-things-we-learned-from-armory-arts-week/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/seven-things-we-learned-from-armory-arts-week/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Anthony Haden-Guest Roasted and Toasted by Glenn O&#8217;Brien</title>
		<link>http://www.arterynyc.com/2012/03/anthony-haden-guest-roasted-and-toasted/</link>
		<comments>http://www.arterynyc.com/2012/03/anthony-haden-guest-roasted-and-toasted/#comments</comments>
		<pubDate>Thu, 08 Mar 2012 21:36:27 +0000</pubDate>
		<dc:creator>Glenn O'Brien</dc:creator>
				<category><![CDATA[Literary Arts]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3616</guid>
		<description><![CDATA[We are here tonight for the benefit of our great friend Anthony Haden-Guest. He has been victimized by a greedy company called Public Storage who sold the entire contents of his life, except for what was in his pockets, for $630. And so we are here tonight to raise $630. <a href="http://www.arterynyc.com/2012/03/anthony-haden-guest-roasted-and-toasted/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/anthony-haden-guest-roasted-and-toasted/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Alanna Heiss: The Definitive Interview (Part 2)</title>
		<link>http://www.arterynyc.com/2012/03/alanna-heiss-the-definitive-interview-part-2/</link>
		<comments>http://www.arterynyc.com/2012/03/alanna-heiss-the-definitive-interview-part-2/#comments</comments>
		<pubDate>Thu, 08 Mar 2012 19:24:07 +0000</pubDate>
		<dc:creator>Daniel Rothbart</dc:creator>
				<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3578</guid>
		<description><![CDATA[I was living in London during the time that Radio Caroline became a beacon, not a virtual beacon but an absolute beacon, a real beacon / sound vehicle for untrammeled popular music. Since I left classical music, my interest was almost zilch with the possible exception of Max Neuhaus' work. I was fascinated by this idea that, because you're offshore, you could program your own radio without being tethered to the concerns of either the BBC in this case or in America the concerns of the, now we largely learned, be rut radio broadcast system. It became possible for me one time to go out on a boat with people who were dropping off a DJ or composer at Radio Caroline.  <a href="http://www.arterynyc.com/2012/03/alanna-heiss-the-definitive-interview-part-2/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/alanna-heiss-the-definitive-interview-part-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ARCOmadrid, February 14-19, 2012</title>
		<link>http://www.arterynyc.com/2012/03/arcomadrid-february-14-19-2012/</link>
		<comments>http://www.arterynyc.com/2012/03/arcomadrid-february-14-19-2012/#comments</comments>
		<pubDate>Tue, 06 Mar 2012 21:44:52 +0000</pubDate>
		<dc:creator>Kathy Rae Huffman</dc:creator>
				<category><![CDATA[Art Market]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3451</guid>
		<description><![CDATA[Commercial art fairs have traditionally been regarded with skepticism by curators and artists who work outside this market. Admittedly, I have attended Art Fairs on an irregular basis, but do so whenever the opportunity to travel, or participate in a parallel program, permits. As both an independent and institutionally based curator biased towards what was once considered non-commercial media art , I have attended ARCO since the late 1980s, have experienced its changes and witnessed media art of all varieties enliven the exhibition halls. <a href="http://www.arterynyc.com/2012/03/arcomadrid-february-14-19-2012/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/arcomadrid-february-14-19-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Focal City: Shanghai</title>
		<link>http://www.arterynyc.com/2012/03/focal-city-shanghai/</link>
		<comments>http://www.arterynyc.com/2012/03/focal-city-shanghai/#comments</comments>
		<pubDate>Mon, 05 Mar 2012 17:48:41 +0000</pubDate>
		<dc:creator>Xiaokun (Sunny) Qiu</dc:creator>
				<category><![CDATA[Installation Art]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3415</guid>
		<description><![CDATA[Hu Jieming: 1999- 2000 Legendary, 5 x10 meters, Photo installation, 2000 A question arose during a recent conversation with an artist: Does Chinese contemporary art have to remain political pop? The answer is obvious to a lot of Westerners but &#8230; <a href="http://www.arterynyc.com/2012/03/focal-city-shanghai/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/focal-city-shanghai/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview with Marissa Soroudi</title>
		<link>http://www.arterynyc.com/2012/03/interview-with-marissa-soroudi/</link>
		<comments>http://www.arterynyc.com/2012/03/interview-with-marissa-soroudi/#comments</comments>
		<pubDate>Fri, 02 Mar 2012 23:52:06 +0000</pubDate>
		<dc:creator>Daniel Rothbart</dc:creator>
				<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3388</guid>
		<description><![CDATA[Marissa Soroudi is an artist who immerses herself in foreign environments and, much like an anthropologist, studies them. Artworks have taken her from the canopies of tropical trees in Vanuatu to life among cannibal Pacific islanders and recently to performing with burlesque showgirls. Through a personal methodology of contemporary art, Soroudi turns male projections and fantasies on their ear. <a href="http://www.arterynyc.com/2012/03/interview-with-marissa-soroudi/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/interview-with-marissa-soroudi/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Ungovernables: 2012 New Museum Triennial</title>
		<link>http://www.arterynyc.com/2012/03/the-ungovernables-2012-new-museum-triennial/</link>
		<comments>http://www.arterynyc.com/2012/03/the-ungovernables-2012-new-museum-triennial/#comments</comments>
		<pubDate>Fri, 02 Mar 2012 23:45:22 +0000</pubDate>
		<dc:creator>Daniel Rothbart</dc:creator>
				<category><![CDATA[Installation Art]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3434</guid>
		<description><![CDATA[Younger The Jesus was the first installment of the New Museum's triennial and, true to its title, featured only artists younger than thirty-three years of age. The current triennial, The Ungovernables, by association calls to mind a group of restless young artists who produce new and transgressive works of art. To my mind the exhibition falls short of this aspiration. Much of the art is derivative and relationships between featured works are obscure enough at times to suggest curatorial anarchy on the part of Ungovernables commissaire Eungie Joo. <a href="http://www.arterynyc.com/2012/03/the-ungovernables-2012-new-museum-triennial/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/the-ungovernables-2012-new-museum-triennial/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Swimming &#8211; Painting &#8211; Swimming: On the new paintings of Sigrid von Lintig</title>
		<link>http://www.arterynyc.com/2012/03/swimming-painting-swimming/</link>
		<comments>http://www.arterynyc.com/2012/03/swimming-painting-swimming/#comments</comments>
		<pubDate>Fri, 02 Mar 2012 23:43:58 +0000</pubDate>
		<dc:creator>Wolfgang Becker</dc:creator>
				<category><![CDATA[Painting]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3275</guid>
		<description><![CDATA[Painting is an old craft, even academies were founded to teach it. The prevalent view on swimming however is, that it is enough to throw a child into water, for it to help itself like most other animals. But who is interested in what happens inside someone spreading drops of oil with a soft brush on an even surface, eyes and hand 'swimming' weightlessly in paints, must be fascinated by the swimmer, who loses 9/10 of his body weight, his vertical hold and his head control under water, suffers stress, fear, muscle tension before his inner ear produces a new equilibrium; to then find his bearings in the water space, breathing out against the hydrostatic pressure, surrendering to the gentle massage by the currents. Adrenalin will flood his blood, he will experience happiness. The painter likewise. <a href="http://www.arterynyc.com/2012/03/swimming-painting-swimming/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/03/swimming-painting-swimming/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bonhams Bust, Sotheby’s Soar, Phillips Power On, but Christie’s Conquer All</title>
		<link>http://www.arterynyc.com/2012/02/bonhams-bust-sothebys-soar-phillips-power-on-but-christies-conquer-all/</link>
		<comments>http://www.arterynyc.com/2012/02/bonhams-bust-sothebys-soar-phillips-power-on-but-christies-conquer-all/#comments</comments>
		<pubDate>Tue, 28 Feb 2012 23:22:23 +0000</pubDate>
		<dc:creator>Nicholas Forrest</dc:creator>
				<category><![CDATA[Art Market]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3227</guid>
		<description><![CDATA[Bonhams broke the ice of the February round of post-war and contemporary art auctions in London with their Contemporary One sale held on the 13th of February at the company's new Bond Street rooms. Bonhams once again presented a small and ambitious catalog that favored the work of living artists and included a wide variety of media. The respectable results achieved during their first ever dedicated contemporary art sale in 2011 were unable to be replicated this time round with only thirteen out of the twenty works on offer finding buyers for a sale total of £1,107,200. <a href="http://www.arterynyc.com/2012/02/bonhams-bust-sothebys-soar-phillips-power-on-but-christies-conquer-all/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/bonhams-bust-sothebys-soar-phillips-power-on-but-christies-conquer-all/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Video Art in the Digital Era</title>
		<link>http://www.arterynyc.com/2012/02/video-art-in-the-digital-era/</link>
		<comments>http://www.arterynyc.com/2012/02/video-art-in-the-digital-era/#comments</comments>
		<pubDate>Tue, 28 Feb 2012 22:07:33 +0000</pubDate>
		<dc:creator>Randy Gladman</dc:creator>
				<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3139</guid>
		<description><![CDATA[The glorious invention of digital editing software and plasma flat screen monitors in the 1990s injected new life into Video Art, a previously anemic and fringe visual culture format that had always struggled to compete with Painting, Photography, and Film, its more alluring cousins.  Though a few artists working with clunky, low-res televisions and analog recording technologies managed to contribute memorable masterpieces to the canon of contemporary art (Peter Campus and Nam June Paik are the obvious examples), these works belie the fact that early Video Art was challenging for viewers even when the most 'advanced' technologies were exploited. <a href="http://www.arterynyc.com/2012/02/video-art-in-the-digital-era/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/video-art-in-the-digital-era/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>What to make of VIP 2.0?</title>
		<link>http://www.arterynyc.com/2012/02/what-to-make-of-vip-2-0/</link>
		<comments>http://www.arterynyc.com/2012/02/what-to-make-of-vip-2-0/#comments</comments>
		<pubDate>Tue, 28 Feb 2012 21:51:05 +0000</pubDate>
		<dc:creator>Nicholas Forrest</dc:creator>
				<category><![CDATA[Art Market]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3108</guid>
		<description><![CDATA[Results are in for the second edition of the controversial VIP online art fair and once again opinions are mixed. What all dealers did agree on, however, was that the absence of the technical problems that plagued last year’s fair was a big improvement that allowed them the luxury of focussing on selling art and making contacts. And sell art they did. <a href="http://www.arterynyc.com/2012/02/what-to-make-of-vip-2-0/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/what-to-make-of-vip-2-0/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Do You Hear The Quiet?</title>
		<link>http://www.arterynyc.com/2012/02/do-you-hear-the-quiet/</link>
		<comments>http://www.arterynyc.com/2012/02/do-you-hear-the-quiet/#comments</comments>
		<pubDate>Fri, 17 Feb 2012 20:42:55 +0000</pubDate>
		<dc:creator>Tchera Niyego</dc:creator>
				<category><![CDATA[Theatre]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3026</guid>
		<description><![CDATA[Tchera Niyego on “The Diary of a Madman” at BAM A ksentii Ivanovich Poprishchin is a Clerk of the Ninth Grade in the Civil Service in the Russian capital of St. Petersburg during the first half of the 19th century. &#8230; <a href="http://www.arterynyc.com/2012/02/do-you-hear-the-quiet/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/do-you-hear-the-quiet/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mirage: Disused Public Property in Taiwan</title>
		<link>http://www.arterynyc.com/2012/02/mirage-disused-public-property-in-taiwan/</link>
		<comments>http://www.arterynyc.com/2012/02/mirage-disused-public-property-in-taiwan/#comments</comments>
		<pubDate>Thu, 16 Feb 2012 18:41:10 +0000</pubDate>
		<dc:creator>Catherine Hsieh</dc:creator>
				<category><![CDATA[Architecture]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=2835</guid>
		<description><![CDATA[Derelict buildings stand against wide, open skies. Void of people, the buildings turn into silent, colossal creatures lurking in broad daylight. Easily spotted, readily forgotten. <a href="http://www.arterynyc.com/2012/02/mirage-disused-public-property-in-taiwan/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/mirage-disused-public-property-in-taiwan/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Marc Bamuthi Joseph: The Living Word Project</title>
		<link>http://www.arterynyc.com/2012/02/marc-bamuthi-josephthe-living-word-project/</link>
		<comments>http://www.arterynyc.com/2012/02/marc-bamuthi-josephthe-living-word-project/#comments</comments>
		<pubDate>Wed, 15 Feb 2012 23:23:57 +0000</pubDate>
		<dc:creator>musecnnpress</dc:creator>
				<category><![CDATA[Press Room]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3983</guid>
		<description><![CDATA[Joseph in the Theaster Gates-designed set for red, black &#38; GREEN: a blues. Photo: Bethanie Hines S poken word/hip hop theater artist and educator Marc Bamuthi Joseph, recently appointed Director of Performing Arts at Yerba Buena Center for the Arts, &#8230; <a href="http://www.arterynyc.com/2012/02/marc-bamuthi-josephthe-living-word-project/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/marc-bamuthi-josephthe-living-word-project/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Perspectives 2012 at the International Center of Photography</title>
		<link>http://www.arterynyc.com/2012/02/perspectives-2012-at-the-international-center-of-photography/</link>
		<comments>http://www.arterynyc.com/2012/02/perspectives-2012-at-the-international-center-of-photography/#comments</comments>
		<pubDate>Wed, 15 Feb 2012 22:55:40 +0000</pubDate>
		<dc:creator>Valery Oisteanu</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=2815</guid>
		<description><![CDATA[The International Center of Photography's ICP's Perspective series commenced under the direction of Brian Wallis in 2010. Perspective 2012 has been curated by Christopher Phillips and includes works by three emerging artists: Chien-Chi Chang, Greg Girard, and Anna Shteynshleyger, all of whom use photography to observe tightly knit ethnic communities displaced in alien surroundings. <a href="http://www.arterynyc.com/2012/02/perspectives-2012-at-the-international-center-of-photography/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/perspectives-2012-at-the-international-center-of-photography/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview: Inside The Mosh Pit With Vicky Allen Hanks</title>
		<link>http://www.arterynyc.com/2012/02/interview-inside-the-mosh-pit-with-vicky-allen-hanks/</link>
		<comments>http://www.arterynyc.com/2012/02/interview-inside-the-mosh-pit-with-vicky-allen-hanks/#comments</comments>
		<pubDate>Wed, 15 Feb 2012 22:41:05 +0000</pubDate>
		<dc:creator>Tony Zaza</dc:creator>
				<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=2838</guid>
		<description><![CDATA[In the New York metropolitan art mosh pit, it's hard being green and also a vegetarian, animal-rights activist, buyer-planner, conservationist and an artist. Vicky Allen Hanks even has to work for a living since she was not a trust-fund baby (a titanium white oil stick averages $25 a stick, Belgian linen is $180 a roll). We visit with her in her new home-based studio in Montclair, which is a third the size of her former loft space in Newark. Hanks' art often depicts, in a cartoonish mannerism, struggles with the accoutrements of femininity in a male-dominated universe. But her current series of new paintings are infused with animal imagery. <a href="http://www.arterynyc.com/2012/02/interview-inside-the-mosh-pit-with-vicky-allen-hanks/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/interview-inside-the-mosh-pit-with-vicky-allen-hanks/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dara Friedman: Dancer at the Miami Art Museum</title>
		<link>http://www.arterynyc.com/2012/02/dara-friedman-dancer-at-the-miami-art-museum/</link>
		<comments>http://www.arterynyc.com/2012/02/dara-friedman-dancer-at-the-miami-art-museum/#comments</comments>
		<pubDate>Wed, 15 Feb 2012 21:45:58 +0000</pubDate>
		<dc:creator>musecnnpress</dc:creator>
				<category><![CDATA[Press Room]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3977</guid>
		<description><![CDATA[Dara Friedman is an internationally acclaimed, Miami-based artist who is best known for experimental, non-narrative works that deconstruct the techniques of conventional filmmaking. <a href="http://www.arterynyc.com/2012/02/dara-friedman-dancer-at-the-miami-art-museum/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/dara-friedman-dancer-at-the-miami-art-museum/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jedediah Caesar: Soft Structures</title>
		<link>http://www.arterynyc.com/2012/02/jedediah-caesar-soft-structures/</link>
		<comments>http://www.arterynyc.com/2012/02/jedediah-caesar-soft-structures/#comments</comments>
		<pubDate>Wed, 15 Feb 2012 20:55:10 +0000</pubDate>
		<dc:creator>musecnnpress</dc:creator>
				<category><![CDATA[Press Room]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3948</guid>
		<description><![CDATA[Los Angeles-based artist Jedediah Caesar debuts new work at the Museum of Fine Arts, Boston (MFA), in the exhibition Jedediah Caesar: Soft Structures. Featured is his most complex and expansive installation to date of 177 colorful panels across five gallery walls, which surround a nearly one-ton solid white clay sculpture made on site using materials sourced from the environs of Boston. <a href="http://www.arterynyc.com/2012/02/jedediah-caesar-soft-structures/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/jedediah-caesar-soft-structures/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ryan Foerster and Ben Schumacher at the Martos Gallery</title>
		<link>http://www.arterynyc.com/2012/02/ryan-foerster-and-ben-schumacher-at-the-martos-gallery/</link>
		<comments>http://www.arterynyc.com/2012/02/ryan-foerster-and-ben-schumacher-at-the-martos-gallery/#comments</comments>
		<pubDate>Wed, 15 Feb 2012 19:25:38 +0000</pubDate>
		<dc:creator>Christopher Chambers</dc:creator>
				<category><![CDATA[Sculpture]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=2805</guid>
		<description><![CDATA[My friend and I went to half a dozen openings that night. He's usually so generously positive with his opinions that I tend to discount them. He hated this show with more vehemence than I had ever heard from him before. On the other hand, I thought it the most interesting exhibition I have seen in quite a while. <a href="http://www.arterynyc.com/2012/02/ryan-foerster-and-ben-schumacher-at-the-martos-gallery/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/ryan-foerster-and-ben-schumacher-at-the-martos-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Perspectives 2012</title>
		<link>http://www.arterynyc.com/2012/02/perspectives-2012/</link>
		<comments>http://www.arterynyc.com/2012/02/perspectives-2012/#comments</comments>
		<pubDate>Wed, 15 Feb 2012 19:16:37 +0000</pubDate>
		<dc:creator>musecnnpress</dc:creator>
				<category><![CDATA[Press Room]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3684</guid>
		<description><![CDATA[erspectives 2012, on view at the International Center of Photography (1133 Avenue of the Americas at 43rd Street) January 20 – May 6, 2012, is the second installment of an exhibition series that focuses on innovative artists working in photography and video. <a href="http://www.arterynyc.com/2012/02/perspectives-2012/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/perspectives-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Peggy Cyphers: A Studio Conversation with Robert G. Edelman</title>
		<link>http://www.arterynyc.com/2012/02/peggy-cyphers-a-studio-conversation-with-robert-g-edelman/</link>
		<comments>http://www.arterynyc.com/2012/02/peggy-cyphers-a-studio-conversation-with-robert-g-edelman/#comments</comments>
		<pubDate>Tue, 14 Feb 2012 23:26:07 +0000</pubDate>
		<dc:creator>Robert G. Edelman</dc:creator>
				<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=2891</guid>
		<description><![CDATA[I was very influenced at the time by the Miocene fossils that I was finding on the beach in Calvert Cliffs in Maryland, where I pretty much spent my summers. A lot of those forms came out of the two basic growth structures of nature, a branching V-shape and anything that had the spiraling element to it, and the bifurcation, which was really the significant, conceptual source for me. The paintings were bifurcated, predellas, and the top panels on Mylar had an essence of a painting imagery or vocabulary that was of the moment; I thought of them as a living, breathing shape and surface. <a href="http://www.arterynyc.com/2012/02/peggy-cyphers-a-studio-conversation-with-robert-g-edelman/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/peggy-cyphers-a-studio-conversation-with-robert-g-edelman/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sanford Biggers: The Cartographer&#8217;s Conundrum</title>
		<link>http://www.arterynyc.com/2012/02/sanford-biggers-the-cartographers-conundrum/</link>
		<comments>http://www.arterynyc.com/2012/02/sanford-biggers-the-cartographers-conundrum/#comments</comments>
		<pubDate>Tue, 14 Feb 2012 17:37:57 +0000</pubDate>
		<dc:creator>musecnnpress</dc:creator>
				<category><![CDATA[Press Room]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3897</guid>
		<description><![CDATA[The Cartographer's Conundrum is a major multi-disciplinary installation By New York-based artist Sanford Biggers. <a href="http://www.arterynyc.com/2012/02/sanford-biggers-the-cartographers-conundrum/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/sanford-biggers-the-cartographers-conundrum/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>An Interview with Ngak’chang Rinpoche</title>
		<link>http://www.arterynyc.com/2012/02/an-interview-with-ngak%e2%80%99chang-rinpoche/</link>
		<comments>http://www.arterynyc.com/2012/02/an-interview-with-ngak%e2%80%99chang-rinpoche/#comments</comments>
		<pubDate>Mon, 13 Feb 2012 23:49:32 +0000</pubDate>
		<dc:creator>Tchera Niyego</dc:creator>
				<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=2767</guid>
		<description><![CDATA[Tchera Niyego: Can you tell me about your autobiography?

Ngak'chang Rinpoche: an odd boy is a four-volume . . . memoire of a period in my life from 1957 to 1975. Volume I—the crossroads—was published in the summer of 2011. The other three volumes will follow annually. It's not a conventional memoire in any sense - because it's not a full account of my life at that time. I describe it as a monothematic memoire – with the arts as the connective tissue of its narrative. It's also—partially—a roman à clef . . . <a href="http://www.arterynyc.com/2012/02/an-interview-with-ngak%e2%80%99chang-rinpoche/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/an-interview-with-ngak%e2%80%99chang-rinpoche/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Queens International 2012: Three Points Make a Triangle</title>
		<link>http://www.arterynyc.com/2012/02/queens-international-2012-three-points-make-a-triangle-2/</link>
		<comments>http://www.arterynyc.com/2012/02/queens-international-2012-three-points-make-a-triangle-2/#comments</comments>
		<pubDate>Mon, 13 Feb 2012 22:37:08 +0000</pubDate>
		<dc:creator>musecnnpress</dc:creator>
				<category><![CDATA[Press Room]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3745</guid>
		<description><![CDATA[The exhibition’s subtitle originates with French Surrealist René Daumal’s unfinished novel Mount Analogue (1944), in which eight explorers use scientific knowledge and metaphysical powers to search for a magical mountain invisible to the human eye. <a href="http://www.arterynyc.com/2012/02/queens-international-2012-three-points-make-a-triangle-2/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/queens-international-2012-three-points-make-a-triangle-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>January 29 to June 10, 2012 at The Aldrich Contemporary Art Museum</title>
		<link>http://www.arterynyc.com/2012/02/january-29-to-june-10-2012-at-the-aldrich-contemporary-art-museum/</link>
		<comments>http://www.arterynyc.com/2012/02/january-29-to-june-10-2012-at-the-aldrich-contemporary-art-museum/#comments</comments>
		<pubDate>Mon, 13 Feb 2012 22:36:53 +0000</pubDate>
		<dc:creator>musecnnpress</dc:creator>
				<category><![CDATA[Press Room]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3752</guid>
		<description><![CDATA[Barrão: Mashups, Roy McMakin: Middle, Kathryn Spence: Dirty and Clean, Xu Bing: Tobacco Project
 <a href="http://www.arterynyc.com/2012/02/january-29-to-june-10-2012-at-the-aldrich-contemporary-art-museum/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/january-29-to-june-10-2012-at-the-aldrich-contemporary-art-museum/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Landmarks of New York</title>
		<link>http://www.arterynyc.com/2012/02/the-landmarks-of-new-york/</link>
		<comments>http://www.arterynyc.com/2012/02/the-landmarks-of-new-york/#comments</comments>
		<pubDate>Mon, 13 Feb 2012 22:36:38 +0000</pubDate>
		<dc:creator>musecnnpress</dc:creator>
				<category><![CDATA[Press Room]]></category>

		<guid isPermaLink="false">http://www.arterynyc.com/?p=3861</guid>
		<description><![CDATA[The Landmarks of New York is anexhibition of 90 photographs of some of New York’s more than 1200 landmarks. Theexhibition accompanies The Landmarks of New York, Fifth Edition: An Illustrated Record of the City’s Historic Buildings, published in September 2011 by State University of New York Press/Excelsior Editions. <a href="http://www.arterynyc.com/2012/02/the-landmarks-of-new-york/">  ...Read More <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.arterynyc.com/2012/02/the-landmarks-of-new-york/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

